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SUBJECT: NOTES: Because Kubrick was now working on a union film, regulations prevented him from acting as his own cinematographer and Lucien Ballard was hired for the job. This prompted a bit of conflict as the two would argue over how to light and photograph scenes. James Harris commented: "There was an air of resentment all around us. Stanley had his own ideas how things were to go and people resented his encroaching on their contributions." -- 3 Of working with Kubrick Sterling Haden said:
"I have worked with few directors that good. He's like the Russian documentarians who could put the same footage together five different ways, so it really didn't matter what the actors did--Stanley would know what to do with it." -- 3 For Kubrick the appeal of the story had to do with its fractured structure, cutting back and forth in time as different elements of the robbery were performed: "It was the handling of time that may have made this more than just a good crime film." -- 3 CREDITS: --3--Stanley Kubrick: A Film Odyssey by Gene D. Phillips, 1977, Popular Library |
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