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STORY: BACKGROUND: Barry Lyndon was filmed entirely on location in Ireland, England, and the Continent. Kubrick wrote the screen adaptation alone, the first draft of the script taking 3 to 4 months to complete, but according to Kubrick, writing, as always, continued throughout the shooting of the film. He changed the first-person narration of the novel to third-person in the film because he felt the first-person unreliable narrator style worked well for comedy but not drama. Similar to his use of architectural magazines for finding locations on A Clockwork Orange, on this film Kubrick used art books as references to make suitable clothes, furniture, hand props, vehicles, architecture, etc. Actual antique clothing was acquired and studied so that new clothes could be made using the same methods as the originals. 35 seamstresses and tailors worked for 6 months before filming began. Insisting on shooting with natural light whenever possible, Kubrick shot all of the night interiors solely by candelabras and oil lamps. This was accomplished by pushing (over developing) the film stock and employing specially adapted low light lenses originally developed by NASA. These lenses had such a shallow focus range that, according to Marisa Berenson, the actors often couldn't move forwards or backwards during certain close-ups or they would go out of focus. Modern film emulsions now make this early 1970s technology obsolete. For the music, Kubrick listened to every available recording of 18th century music, but found that there were no tragic love themes in that period, so he used Schubert's Trio in E Flat, composed in 1828. Since Kubrick also found 18th century music was generally not very dramatic, he brought in Leonard Rosenman to create more appropriate orchestrations of the period music selected for the film. Originally budgeted at $2.5 million, Barry Lyndon reportedly shot for between 250 and 300days and ended up costing $11 million. TRIVIAL TIDBITS:
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